To draw and study how to draw means, at the same time, to observe the world around us more attentively. To observe, get to know, study, perceive and accept. It also means to discover new details and bits and pieces being often overlooked at the very first, superficial sight. Further it means to perceive sensitively the fragile beauty and attraction of that, what is often covered under the rough surface. The drawing has its charm, which will attract you and teach you how to look at the world. That what you have once drawn, stays forever: it is said that drawing is a way how we look at the world from a certain place at the right moment. It tells about your skills and all circumstances. When you draw, you learn by yourself. You learn that way that you draw and draw again.   It is a universal language which everyone can understand. 

 I can only hope you feel at least as much joy looking through my artwork as I had while creating it.

 Making of portraits constitutes the most substantial part of my creation. A pencil has become my loyal companion - a tiny piece of cedar wood with a soft crystal form of carbon in it, mixed together with clay and burned in the oven (graffiti). By the means of it I have been trying to accurately capture details and slight contrasts of textures and colour shades of   depicted objects. Despite the increasing prevalence and popularity of photography, drawing per se is one of the best ways to directly express one's knowledge. It captures the instance of flowing time and that is why portraits are perceived to be unique gifts, favoured and sought after by popular demand.